For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon

Par BACH JOHANN SEBASTIAN. excerpt from the facsimile of the 'Hochzeitquodlibet' BWV 524 of 1707/ Répertoire / Carte Postale

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-12-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-12-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-12-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-12-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1984-01-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-12-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave

In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911).

Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the greatest musical artwork of all time and all nations?. Since then it has been ranked as an icon of music history.

One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach?s handwriting reflects the effort which this last work demanded of him.

The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years.
The renowned Bach scholar Christoph Wolff describes the work?s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript.


This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. [?] Wolff's facsimile will serve as foundational tools
(Notes, December 2008)

Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ?Et expecto?? is this point in the B minor mass, ?And I look for the resurrection of the dead.? Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out ? although this is a fair copy ? hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn?t nearly as lively as in the ?Cum sancto Spirito?, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys ? one of the most sumptuous ever published.
(DIE ZEIT Literatur, December 2007) / [Messe en Si mineur BWV 232] / Classique / Fac-similé /

from Schmelli's Hymnal for Voice and Guitar BWV 439-507. Par BACH JOHANN SEBASTIAN / STEGMANN MATTHIAS (ARR.). From Schmelli'S Hymnal For Voice And Guitar Bwv 439-507 / Date parution : 2019-10-31/ Répertoire / Guitare et Chant

Kantate zum Sonntag Quasimodogeniti. Par BACH JOHANN SEBASTIAN. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement./ Répertoire / Choeur et Orchestre

Erste Leipziger Fassung. Kantate zum Sonntag Palmarum oder zum Fest Mariae Verkündigung. Par BACH JOHANN SEBASTIAN. First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation BWV 182/ Répertoire / Orchestre

Erste Leipziger Fassung. Kantate zum Sonntag Palmarum oder zum Fest Mariae Verkündigung. Par BACH JOHANN SEBASTIAN. First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation BWV 182/ Répertoire / Choeur Mixte

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 12/ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass